Business Interviews

“The more experience you have, the more time you’ve spent on this earth, the more regrets you accumulate. It’s normal. You can’t do everything right, nobody’s perfect. But if you think too much about that, you’re not here. You have to make some efforts to stay open-minded.”

“I think an ambition as a performer, and maybe even in life, is to become less afraid. Some boundaries are necessary of course and some are accepted, but the ones that I don’t want, I want to remove.”

“If people don’t like the pictures, I don’t care. To me, there’s only one point of view: that’s mine.”

“Right now we are 40 people working in Osteria Francescana, for 28 or 30 covers a night. So, it’s totally the opposite of a business. You cannot survive with that. But we believe in those kinds of dreams and so I keep investing, and reinvesting, and reinvesting.”

“I used to tease the other kids because I played better than them. Then my father said, ‘Come here. Don’t do this with the kids, because God gave you the gift to play football. You didn’t do anything. You have to respect people, be a good person. From now on, you must be this example.’”

“I have an irrational fear of boredom. That’s why I now have this tattoo that says “Carpe Diem.” That’s what we should live by!”

“You have to open yourself. Just as in life you have to be open to other people, to other perspectives — it’s the same thing when you write. That’s what religion’s about, that’s what literature’s about, it’s what life’s about: the stories that you build.”

“I follow the beat of my own drum. I think I’ve gotten more confident and self-trustful in my ability and my natural appetite for play, and not over-adorning it with anything. I’ve always been disciplined and I’m still nothing if not conscientious.”

“We're not having to run from predatory animals like we did for hundreds of thousands of years before. So now we have to make up new activities to fulfill those emotional needs. There is a certain something about the ever-present danger of death that makes living so great.”

“Architecture is the oddest profession. In the beginning you're very much involved in finding your voice and locating yourself artistically. For 25 years you're working with small projects, domestic projects. And then you mature at 50 and you're given your first projects.”

“I never thought of art as a career. I thought it was more like a monastic practice. It is something that you do – you can't not do it. If I made money doing it, I would do it; if I didn't make any money, I would do it. Obviously I’m not perfect but the thing I am best at is painting.”

“You better make every moment count. Live your life now; start in the morning. You mustn’t sit around waiting to die.”

“Follow the things you love! Follow the things that you are intensely passionate about. Follow the things that you like to do, which often to others might seem unimportant.”

“Life is struggle. Life is about struggle. You’re not supposed to be happy all the time. It’s about challenging yourself and pushing yourself, you know? You become content. That’s not happiness.”

“I think that when you’re a creator, you set out to create the perfect thing, but the idea of reaching that kind of creative nirvana — that’s something that you should never quite reach.”

“Having come out as a gay man and the self-confidence that gives you is huge! It affects every aspect of your life, including my work. People like honesty. They respect honesty. And my film career took off once I came out.”

“Sometimes when you lose faith and you understand that something will never be possible the way that you dreamed, but you keep trying, suddenly one thing flips and everything re-accommodates. It totally flows. You don’t give up — and suddenly it’s almost a transcendental thing.”

“If I knew that tomorrow a meteorite would destroy our planet, I would start shooting a new film today.”

“If you have to defend something that you like, it makes you to like it even more. My parents hated the comic strips, they hated rock ‘n’ roll, and when they found out what movies I was going to they also were against that. So everything I loved I had to defend.”

“I think the key to having a successful career is to find the thing you do well and do it again and again for the rest of your life. But I’m interested in expanding my language as an artist and as a composer. And I try to expand it with every project.”

“I just keep imagining myself thirty years from now thinking, ‘Why didn’t you take advantage of all the opportunities you had? Look at all the people you could have worked with, the roles you could have done. Go for it.’ And that’s what I am thinking.”

“I have a moral standard of my own. I know the difference between right and wrong, I know what I feel comfortable with. And if you live up to your own moral standard, you’re going to have a more comfortable life.”

“At what point do you feel you’ve achieved it and you can move on? I think you usually have to start thinking, ‘So what’s next?’”

“Any kind of quest for achievement has some kind of a personal drive behind it. I'm sure some people would say that it's obviously about the ego, but on the other hand, it's not as if I'm competing against anybody. It's not as if I'm trying to outdo anybody. It's just me trying to do something to see if I can.”

“I am less anxious to have a successful career. There were times when I was anxious — even in the past, people said, ‘You make successful films.’ But my films were never successful. Even The Godfather got a terrible review. My films did better over time.”

“I was always trying to innovate; I don’t like repetition. Time is something that changes every moment, it’s never repetitive — I try to follow this example.”

“Part of being a designer is to fail every day, to try things that don’t work out. In a way, every project fails every day until it succeeds! That’s what the iterative process of design is about. Timing in many ways is key.”

“I think you always have to have risk when you’re creating a piece of art. Without that, I don’t understand really what the drive is to succeed. It’s the risk factor that, weirdly, keeps you feeling safe. It keeps you on your toes.”

“I learned by doing. The rest is doing experiments and testing and not giving up. If something is not satisfying start again, turn everything upside down and find a new formula for printing. Everything is learning by doing.”

“I don’t want to be pigeonholed — it’s important to keep evolving, experimenting and reinventing yourself, otherwise it’s like hitting a drum, the same note over and over again. I think you should want to change, to try different things.”

“I give my best performances when I am almost snapping. It is like tuning a violin. You want that note from a string so you tune it until it almost breaks – but then you get that note. It is dangerous, but it is also sublime.”

“There is a thing called discipline. If you really want to do it, you’ve got to put in the work. Work, work, work, work. Practice, practice, practice, practice.”

“If you are ambitious, you are running in a tunnel that never ends. You will always find something new to go after.”

“One of the things that I’m striving for is an authenticity, to do things which feel natural and make choices which feel authentic and real. I think in a way you sort of can’t help sounding like yourself. You can’t help but put yourself into your work.”

“The journey of an artist is a journey of discovery and some engagement with the nature of material, with bodily things and all that has led me to this place. I’m really interested in that as a process because the process moves you in directions that you couldn’t rationally put there.”

“Making something or creating something is about looking and exploring the potential, and I want to do that right up until the day of the performance. And then when we’re performing, I want to do it a bit more. There’s no reason we can’t.”

“The recognition of luck is extraordinarily important — as well as making the best of it and creating to the best of your capabilities on that one opportunity you’re given so that it doesn’t end up in the museum of errors.”

“Writing itself should be so extreme, so wild, and so much fun that it doesn’t matter whether or not you ever sell the book.”

“I think you know when you’re playing it safe, when you’re stagnating, and when you’re growing. It’s probably an ongoing thing for all of us — and a tricky balance. I try to learn at least one thing on every album, to reach out. I become my own teacher.”

“Life is confounding and who knows what’s around the next corner. But in many ways uncertainty can be exhilarating—there’s a lot of freedom in it. It would be a shame to waste our snippet of time on this planet being afraid.”